Hong Kong International Film Festival 2024: 15 must-see films and programmes, including All Shall Be Well and Exhuma

Patra Au Ga-man and former starlet Maggie Li Lin-lin play an ageing same-sex couple. When one of them dies, the other is thrown into a nightmarish legal battle with the partner’s family. Yeung’s bittersweet film takes Hong Kong to task for the lack of legal protections for its LGBT+ citizens.

2. Gift

Hitoshi Omika in a still from Gift. Photo: NEOPA
Japanese filmmaker Ryusuke Hamaguchi’s award-winning Evil Does Not Exist began life as an installation to accompany the work of composer Eiko Ishibashi before it was reconfigured as a feature film, winning the grand jury prize at the Venice Film Festival.

Now the work has been reimagined again as a silent feature, once more featuring Hitoshi Omika and Ryo Nishikawa as father and daughter and accompanied by a special in-person performance from Ishibashi herself.

3. Snow Leopard

A still from Snow Leopard.
Arguably the most prominent filmmaker ever to emerge from Tibet, Pema Tseden left fans this swan song before his untimely death in 2023.
A beautifully shot parable of realism and spirituality, it tells the story of a vicious mountain cat, captured in a sheep pen in a remote region of the Tibetan steppe, and how the members of a small community go about determining its fate, and the value of its life.

4. Black Box Diaries

Shiori Ito in a still from her documentary film Black Box Diaries.

Fledgling reporter-turned-documentarian Shiori Ito examines systemic misogyny and outdated attitudes towards sexual violence in Japan by revealing her own life-shattering ordeal in this riveting and deeply troubling film.

In 2015 she was raped by one of the country’s most powerful journalists, who proceeded to use his ties with top political officials, including former prime minister Shinzo Abe, to avoid prosecution and destroy Ito’s reputation.

5. Dahomey

A still from Dahomey.

Idiosyncratic filmmaker Mati Diop documents the restitution of ancient African royal treasures, stolen from the kingdom of Dahomey by French troops, in Dahomey, winner of the Golden Bear for best film at this year’s Berlin International Film Festival.

Diop’s film follows this major diplomatic coup in commendably succinct and direct fashion, and makes a profound statement about the impact of colonialism on developing nations, and the repercussions that linger to this day.

6. Io Capitano

Seydou Sarr (front) in a still from Io Capitano.

In Italy’s official entry for the recent 96th Academy Awards, Matteo Garrone tackles the ongoing migrant exodus from North Africa into southern Europe from the unique perspective of those risking their lives to fulfil their dream of a better life.

Balancing the horrifying with dreamlike serenity, achieved through magical realism, Garrone’s approach is one of hope and optimism, anchored by an extraordinary performance from Seydou Sarr, best young actor award winner in Venice.

7. In the Rearview

A still from In the Rearview.

There is an extraordinary number of documentaries at this year’s festival that capture the struggles endured by ordinary Ukrainians following their country’s invasion by Russian forces.

Perhaps the most memorable of these is Polish filmmaker Maciek Hamela’s film, set almost entirely within the confines of his car, as he voluntarily ferries displaced survivors and refugees through the war zone that was once their home to relative safety across the border.

8. Hollywoodgate

A still from Hollywoodgate.

Following the complete withdrawal of US forces from Afghanistan in 2021, Egyptian filmmaker Ibrahim Nash’at was granted extraordinary access to the chaos that ensued.

Shadowing Mawlawi Mansour, the Taliban’s newly appointed air force commander, Nash’at’s camera is privy to terrifyingly banal conversations about past and planned atrocities, as well as witnessing the immediate appropriation of medicine, office supplies, weapons and military vehicles abandoned by the Americans.

9. Tatami

Arienne Mandi in a still from Tatami.

Winner of the best actress prize at Cannes for her unforgettable performance in Holy Spider, Zar Amir is fast becoming world cinema’s pre-eminent advocate for the rights of Iranian women.

The actress and filmmaker will be at HKIFF to discuss her work, on and off screen, which is realised most effectively in this gripping sports drama, which she co-directed with Guy Nattiv, about a young female judo competitor (Arienne Mandi) who finds herself at the centre of an international political incident.

10. Favoriten

A still from Favoriten.

Proof positive that not every film tackling the subject of immigration need be a gruelling ordeal, Ruth Beckermann’s uplifting film about the Austrian elementary school system is an absolute delight.

Following a single group of young children over the course of four years, we witness the challenges they face, both as young people and as immigrants without a usable grasp of the German language, through their eyes and everyday classroom experiences.

11. Exhuma

Choi Min-sik (left) and Yoo Hae-jin in a still from Exhuma.

A monster hit at the Korean box office, this supernatural thriller continues Jang Jae-hyun’s obsession with faith-based horror. It follows a pair of young shamans tasked with exhuming a wealthy family’s ancestral gravesite.

The trio enlist the help of Choi Min-sik’s veteran exorcist, and unwittingly unearth an ancient evil. What follows is a hugely entertaining blend of ghoulish scares and existential trauma sure to delight the late-night horror crowds.

12. Sons

Sidse Babett Knudsen in a still from Sons. Photo: Nikolaj Moeller.

Danish director Gustav Möller follows up his festival favourite The Guilty with this super intense prison drama featuring Swedish superstar Sidse Babett Knudsen.

When a violent young inmate (Sebastian Bull) arrives at her prison, a veteran warden (Knudsen) requests to be transferred to the maximum security wing so she can be closer to this remorseless killer.

Her motivations are not immediately apparent, but what unfolds is a breathless tête-à-tête that challenges the effectiveness of correctional systems.

13. Kubi

Ryo Kase (left) and Hidetoshi Nishijima in a still from Kubi.
Japanese favourite Takeshi Kitano has been developing this sumptuous period epic for close to 30 years, and when he finally unveiled his lavish retelling of the notorious honno-ji incident of 1582 – in which a feudal lord about to unify Japan was assassinated by his vassal – it received rapturous reviews.

An elaborately interwoven tale of betrayal and revenge to rival any of his labyrinthine yakuza thrillers, Kubi recounts the story of man’s unbridled thirst for power on a scale that eclipses anything the director has previously attempted in a 40-year career.

14. Fruit Chan retrospective

(From left) Wenders Li, Sam Lee and Neiky Yim in a still from Made in Hong Kong (1997).

One of Hong Kong’s most enduring and celebrated mavericks, Fruit Chan Gor is the subject of a comprehensive retrospective celebration at this year’s festival.

Ten of his fiercely independent works will be screening, including his breakout hit Made in Hong Kong, gleefully provocative horror satire Dumplings, and all three parts of his allegorical prostitution trilogy, culminating in 2019’s Three Husbands.

15. Martin McDonagh masterclass & films

Brendan Gleeson (left) and Colin Farrell in a still from In Bruges.

The Academy Award-winning director of In Bruges and The Banshees of Inisherin will be in Hong Kong to discuss his body of work and attend screenings of all of his films.

From his Oscar-winning debut Six Shooter to the all-star drama Three Billboards Outside Ebbing, Missouri, McDonagh imbues his films with a uniquely Irish perspective that blends faith, violence, tragedy and almost existentially black humour into cinematic poetry.
The Hong Kong International Film Festival runs from March 28 to April 8 at various venues. For full programme details, visit hkiff.org.hk.
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