His new show, Dreamland, is a continuation of his long-standing exploration of what lies beneath the gloss of fame – the glittering diamond-dust surfaces of his paintings nod to this – where seduction, beauty, desire, envy and emptiness lurk. “Los Angeles was the flame, and I was the moth,” he says. “I was drawn to it (LA, celebrity, fame) for many years. I like the duality of fame and shame.”
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