Throughout, the album seemingly flits between these two relationships. Its consistent production — which mostly retreads the path of Midnights’ cool, restrained synth-pop — serves as a steady, if predictable, backdrop. The album’s lyrical voice, meanwhile, is much less cohesive. On Healy, Swift is resoundingly defensive. But Daddy I Love Him, named after a line from Disney’s 1989 (of course!) film The Little Mermaid, casts those who disapproved of their brief relationship as puritanical pearl-clutchers, or “elders” convening down at City Hall.
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